5th June 2026 / Image
9th Annual Stuart Hall Public Conversation with Fred Moten (photos)
By: Christopher Andreou
The Stuart Hall Foundation welcomed cultural theorist, poet and teacher of performance studies, Fred Moten, as keynote speaker for the 9th Annual Stuart Hall Public Conversation. The event took place on Saturday 23rd May at Conway Hall in London and online via livestream broadcast as the first 2026 event in our In Search of Common Ground programme.
Moten’s keynote, drafted under the title ‘The Physics of Political Economy’ and delivered as ‘(Notes on Genocide:) Violence and the Physics of Political Economy’, used Stuart Hall’s critical engagement with Karl Marx as a point of departure to speak to the realities of practising the rejection of individuation.
The keynote was preceded by an address by Catherine Hall on the achievements of the Stuart Hall Essay Prize, and followed by a discussion between Moten and Angela McRobbie and an audience Q&A.
Following the event, attendees were invited to congregate in the hall for an informal reception with food catered by Goodness Gracious Feast and a DJ set from Anu Ambasna.
Skin Deep’s pop-up library of liberatory texts was set up in the hall throughout the day, offering attendees the opportunity to relax and flip through their back prints, works from collaborators and inspirations for their latest editions. Newham Bookshop hosted a stall with titles related to the programme available on sale throughout the event.
Supported by the Esmée Fairbairn Foundation, the Hollick Family Foundation, the Paul Hamlyn Foundation and the Power of Pop Fund, in collaboration with Conway Hall.
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For the 7th Annual Stuart Hall Public Conversation, the Stuart Hall Foundation welcomed acclaimed filmmaker and installation artist Isaac Julien. The event took place on Saturday 23rd March 2024 at Conway Hall, London, inaugurating our Catastrophe and Emergence programme.
Isaac’s keynote presentation explored the connection between image-making and political allegory. He drew upon his conversations with Stuart Hall over the years to reflect on how ideas, language and narratives can transform within a visual frame, presenting new modes of the imaginary. “Stuart’s double position,” Isaac reflected, “eagerly greeting this new wave of left-wing thought but subjecting it to rigorous critique, was instrumental in helping me form my own path through the stories that my research turned up.”
The event also included a new, two-screen presentation of Isaac Julien’s immersive installation, Once Again… (Statues Never Die). Tapping into his extensive research in the archives of the Barnes Foundation, Isaac’s film considers the reciprocal impact of Alain Locke’s political philosophy and cultural organising activities, and Albert C. Barnes’ pioneering art collecting and democratic, inclusive educational enterprise. This was the first time the piece was shown in this format in the UK. Following the screening, Isaac was joined in conversation with Gilane Tawadros, Chair of the Stuart Hall Foundation and Director of the Whitechapel Gallery. An audience Q&A also took place, and Newham Bookshop provided a stall for attendees to browse from.
Additionally, the inaugural Stuart Hall Essay Prize was awarded to its first winner, Hashem Abushama, for the essay “a map without guarantees: Stuart Hall and Palestinian geographies”. Trustee and judging panel member Catherine Hall presented the award to Hashem, whose acceptance speech provided additional valuable context to the essay’s creation and content.
In partnership with Conway Hall supported by Esmée Fairbairn Foundation, Barry Amiel and Norman Melburn Trust and Cockayne Grants for the Arts, a donor-advised fund held at The London Community Foundation.
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