The Stuart Hall Libary Artist’s residency is a funded opportunity for an artist to be in residence at Iniva’s Stuart Hall Library over a three-month period. The selected artist receives a total sum of £4,500 and given support to pursue their research in the library.
Professor Stuart Hall (1932 – 2014) was actively engaged in the arts throughout his life, and in particular the visual arts. He championed the establishment of Iniva and chaired its board for more than a decade. Professor Stuart Hall worked closely with artists, filmmakers and photographers, writing about the visual arts, informing critical thinking and influencing public policy on arts education.
The Stuart Hall Library Artist’s Residency is an annual funded opportunity established in partnership between Iniva and the Stuart Hall Foundation, building on Stuart Hall’s unique contribution to intellectual and cultural life, and the distinct connections between both organisations. The three-month residency allows a visual artist the space to think about some of the key themes related to the work of Iniva and the Foundation, including the language of the diaspora, culture, identity and archiving.
Building on the distinct connections between both organisations, the residency offers a visual artist the opportunity to develop their practice by excavating the ideas contained within the library, taking the writings of Professor Stuart Hall as a starting point.
We are particularly interested in working with an artist or artist collective whose practice is informed by perspectives on politics, identity and activism; who is interested in the language of the international and ideas around diaspora; and whose methodology may relate to notions of archiving and the archival.
We do not expect a fixed outcome of the residency and want to emphasise that the prime focus of this residency is the process of research itself. However, the artist will be expected to produce a digital output of their choice (e.g. short film, sound, blog post, animated presentation etc.) for archival purposes and to co-organise a public event which allows sharing of reflections or work in progress from the residency. The form of the digital output and the event will be agreed with the artist as appropriate to their practice.
The artist is expected to be to in residence over a three-month period and to spend at least five days per month researching in the library. As the library is in constant use, the artist will be unable to have a studio/production space on site. The residency does not include accommodation.
The development of the collection takes Professor Stuart Hall’s work as a guiding principle, and in keeping with this, the library collects around art, which takes issues such as cultural identity as its theme. The library includes over 10,000 volumes. There are over 4,000 group exhibition catalogues, 3,500 works on individual artists, and 2,500 contextual, historical or theoretical works as well as over 200 periodical titles and over 200 zines.
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Rosa began her residency in May 2020. The jurors selected Uddoh for her ongoing interest in her practice concerning the construction of the performative act and characterisation in popular culture that produces the black or British subjectivity. Uddoh’s previous work has drawn on popular figures such as Moira Stuart, Hercule Poirot, Venus Williams, Una Marson.
During this time, Uddoh will focus on researching Stuart Hall’s lectures and other archival material available online. Uddoh explains that she will be
“using the library resources to contextualise his charismatic presentations with performance art of the time.” She plans “to study Hall’s Open University lectures as performances for late-night television and his published papers as scripts. Exploring Hall as both performance theorist and performer himself, this research will culminate in a pantomime.”
Through this research, Uddoh will explore Hall’s commitment to disseminating knowledge through different media channels, which acquires a renewed sense of urgency in the context of the current global situation. A public event will be presented towards the end of the year.
The Stuart Hall Library Artist’s Residency is an annual funded opportunity established in partnership between Iniva and the Stuart Hall Foundation.
Sepake Angiama, Artistic Director at Iniva said:
“We are happy that Iniva and Stuart Hall Foundation can come together to support the development of Rosa-Johan Uddoh’s work and continued research through archive collections especially at this time. Rosa’s residency will begin by using archive material and we are excited to see how she will work with the material to think through the performative and gestural media apparatuses in Hall’s own life.”
Ruth Borthwick, Executive Director of Stuart Hall Foundation, said:
“The Stuart Hall Foundation is thrilled that Rosa-Johan Uddoh is to be the fourth Stuart Hall Library Artist in Residence. Her careful reading of Stuart’s memoir ‘Familiar Stranger’ in which she notices the reference to pantomime in Stuart’s childhood in Jamaica and links it with his own extraordinary ability as a communicator is exciting. I can’t wait to see how she creates her own modern pantomime in response.”
Building on the distinct connections between both organisations, the residency allows a visual artist the space to think about some of the key themes related to the work of Iniva and the Foundation, including the language of the diaspora, culture, identity and archiving.
About Rosa-Johan Uddoh
Rosa-Johan Uddoh (b.1993, Croydon) is an interdisciplinary artist working towards radical self-love, inspired by black feminist practice and writing. Through performance, installation, ceramics, video and sound, she explores an infatuation with places, objects or celebrities in British popular culture, and the effects of these on self-formation.
Rosa studied Architecture BA at Cambridge University and MA Fine Art at The Slade (University College London) as a Sarabande Foundation scholar. Recently, Rosa has shown work at: Tate Modern, Jupiter Woods (solo), Black Tower Projects (solo), Nottingham Contemporary and New Contemporaries 2018. She is a Liverpool Biennial & John Moores University Fellow and a Lecturer in Performance at Central Saint Martins.
Alicja Rogalska will be in residence at Iniva’s Stuart Hall Library from April to July 2019. Rogalska’s proposed research project explores Stuart Hall’s ideas of citizenship through his writings on classification as fundamental to human culture and, simultaneously, as a system of power. The research will situate Stuart Hall’s work within the contemporary context of immigration law and global citizenship discourse utilising the Stuart Hall Library, itself, as a site of classification.
The Stuart Hall Library Artist’s Residency is an annual funded opportunity established in partnership between Iniva and the Stuart Hall Foundation. Building on the distinct connections between both organisations, the three-month residency allows a visual artist the space to think about some of the key themes related to the work of Iniva and the Foundation, including the language of the diaspora, culture, identity and archiving.
About Alicja Rogalska
Alicja Rogalska is an artist living in London and working internationally. Her practice is research-led, interdisciplinary and focuses on social structures and the political subtext of the everyday. She mostly works in specific contexts making situations, performances, videos and installations in collaboration with other people. Her projects are attempts to practise a different political reality in the here and now, create space for many voices to be heard and to co-exist, whilst collectively searching for emancipatory ideas for the future.
Alicja graduated with an MFA in Fine Art from Goldsmiths College and an MA in Cultural Studies from Warsaw University. She was artist in residence at PARADISE AIR in Matsudo/Tokyo, MuseumsQuartier in Vienna, IASPIS in Stockholm, MeetFactory in Prague, National University of Colombia in Bogota and TATE Britain in London. She attended the Home Workspace programme at Ashkal Alwan in Beirut, received grants from Arts Council England, Instytut Adama Mickiewicza, European Cultural Foundation and artist bursaries from Artsadmin and a-n. She is currently leading social practice Peer Forum at Peckham Platform/Artquest, participating in Syllabus IV and working on Radical Thinking, a solo commission for Focal Point Gallery and Art Exchange in collaboration with the Faculty of Social Sciences at Essex University.
Selected through a hugely popular open call, the collective Squirrel Nation was in residence at Iniva’s Stuart Hall Library from February to April 2018. The three members of the collective – filmmaker Erinma Ochu, visual artist Caroline Ward and curator Bianca Manu – will explore the evolution of diasporic identities and how a sense of belonging or isolation is shaped in the context of cultural and social locations, and technology.
Taking the archival material as a starting point, Squirrel Nation will use social media and modern technologies to develop a forward-looking approach to explore how individual experiences of diasporic communities today relate to the experiences of previous generations. By finding cultural ‘touchpoints’ between the generations, Squirrel Nation will create an artistic intervention to rethink the politics of blackness, diversity and inclusion
About Squirrel Nation
Squirrel Nation is an international collective comprised of visual artists, writers, designers, sound artists, scientists and curators who create experimental works across a range of settings. The core members are filmmaker Erinma Ochu, visual artist Caroline Ward and curator, Bianca Manu.
Caroline Ward is a deaf visual artist and experience designer, trained originally in fine art and film. She is interested in intersectionality and the crossovers between nature-culture and technology. She has innovated future experiences at BBC and as Digital Associate for The Space. She is currently studying at The Royal College of Art.
Erinma Ochu is a filmmaker and writer, originally trained as a neuroscientist. She’s interested in the afterlives of creative practice and what remains from creating or experiencing intersectional work. She recently held a Jerwood fellowship with Manchester International Festival, attached to Yael Bartana’s What if Women Ruled the World. She teaches at The University of Salford.
Bianca Ama Manu is a curator and producer invested in exploring socio-political, environmental, new media and identity matters. Working between London, UK and Accra, Ghana, past work includes the Wellcome Collection and The Netherlands Embassy, Ghana. Her current role is as curator for Nubuke Foundation, an arts foundation in Accra
On the Desert Island by Ting-Ting Cheng (2017)
Stuart Hall Foundation and Iniva (Institute of International Visual Arts) launched of On the Desert Island, an interactive audio site-specific work by artist Ting-Ting Cheng which was presented in Iniva’s Stuart Hall Library (1 June – 1 December 2017). The artwork is the outcome of the first ever Stuart Hall Library Artist’s Residency.
Offering a unique way to explore Iniva’s remarkable collection, On the Desert Island takes its cue from Professor Stuart Hall speaking to Sue Lawley on BBC Radio 4’s Desert Island Discs in February 2000. On the long-running radio show, the presenter asks the guest to punctuate their conversation with eight records they would choose to take with them if they were cast away on a desert island.
Ting-Ting Cheng draws on the recording of Professor Stuart Hall’s interview to create an audio map which imagines the Stuart Hall Library as islands with its bookshelves and contents as land mass to be negotiated. Using the library’s categorisation system that places exhibition catalogues according to their geographical location, the artist’s tour encourages the listener to wander between Great Britain and Jamaica as if they were part of an archipelago. On this physical journey they will follow Professor Stuart Hall’s conversation about identity and diversity 17 years ago in the context of Britain today. Revisiting Professor Stuart Hall’s commentary On the Desert Island casts a curious light on today’s political, social and cultural realities where issues of sovereignty and the rise of uncontained xenophobia are as prophetic as he imagined.
On the Desert Island was vailable to listen to in the Stuart Hall Library from 1 June until 1 December 2017. The work is available as a free, solo, 45-minute experiential journey around the Stuart Hall Library. For this reason, pre-booking is essential. To book your place, please e-mail email@example.com.
To celebrate the launch of Ting-Ting Cheng’s On the Desert Island, the outcome of the first ever Stuart Hall Library Artist’s Residency, Ting-Ting was in conversation with Stephanie Moran, Iniva’s Library Manager.
Offering a unique way to explore Iniva’s remarkable collection, On the Desert Island takes its cue from Professor Stuart Hall speaking to Sue Lawley on BBC Radio 4’s Desert Island Discs in February 2000. On the long-running radio show, the presenter asks the guest to punctuate their conversation with eight records they would choose to take with them if they were cast away on a desert island. Ting-Ting Cheng draws on the recording of Professor Stuart Hall’s interview to create an audio map which imagines the Stuart Hall Library as islands with its bookshelves and contents as land mass to be negotiated.
Find our more about the Stuart Hall Library Residency here.
The Stuart Hall Library Residency has been jointly funded by Iniva and the Stuart Hall Foundation.
Elaine Mitchener’s SWEET TOOTH premiered at Bluecoat, Liverpool in 2017. It’s a powerful music theatre performance interrogating historical links between sugar and slavery, by acclaimed vocalist and movement artist Elaine Mitchener.
This ambitious 50 minute music theatre piece used text, improvisation and movement, to stage a dramatic engagement with the brutal realities of slavery revealed by the historical records of the sugar industry, and to reveal its contemporary echoes.
SWEET TOOTH marked the culmination of five years’ research by Mitchener into our love of sugar and the historical links between the UK sugar industry and the Transatlantic Slave Trade.
Bluecoat is especially resonant, as in 1717 the building was originally a charity school for orphans that relied on subscriptions and donations from many families involved in slavery or slave-related industries like sugar, tobacco and cotton.
SWEET TOOTH has been supported with public funding from Arts Council England. Commissioned by Bluecoat in partnership with the Stuart Hall Foundation, London and The International Slavery Museum with further support from PRSF Open Fund, Edge Hill University, Centre 151 and St George’s Bloomsbury.
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