iniva (Institute of International Visual Arts) and the Stuart Hall Foundation are pleased to announce the fifth Stuart Hall Library Artist’s Residency commencing in September 2021, supported by Arts Council England. This residency is a funded opportunity for an artist based in the UK to be in residence at iniva’s Stuart Hall Library in London, UK, over a three-month period from the September to December 2021. The selected artist will receive a total sum of £4,500 and given support to pursue their research in the library.

Professor Stuart Hall (1932 – 2014) was actively engaged in the arts throughout his life, and in particular the visual arts. He championed the establishment of iniva and chaired its board for more than a decade. Professor Stuart Hall worked closely with artists, filmmakers and photographers, writing about the visual arts, informing critical thinking and influencing public policy on arts education.

Residency Brief

Building on the distinct connections between both organisations, the residency offers a visual artist the opportunity to develop their practice by excavating the ideas contained within the library, taking the writings of Professor Stuart Hall as a starting point.

This year marks the 70th anniversary of Professor Stuart Hall’s arrival in Britain from Jamaica in 1951. In commemoration, we invited an artist to respond to the concept of ‘arrival’ and its capacity to transform and trouble notions of fixed cultural identities. We asked artist applicants to consider the following quote:

“Cultural identities come from somewhere, have histories. But, like everything which is historical, they undergo constant transformation.”

– Stuart Hall, Cultural Identity and Diaspora (1990)

We are particularly interested in working with artists or artist collectives whose practice is informed by perspectives on politics, identity and activism; who are interested in the language of the international and ideas around diaspora; and whose methodology may relate to notions of archiving and the archival.

We do not expect a fixed outcome of the residency and emphasise that the prime focus of this residency is the process of research itself. However, the artist is expected to produce a digital output of their choice (e.g. short film, sound, blog post, animated presentation etc.) for archival purposes and to co-organise a public event which allows sharing of reflections or work in progress from the residency. The form of the digital output and the event will be agreed with the artist as appropriate to their practice.

The artist is expected to be to in residence over a three-month period in Autumn 2021 and to spend at least five days per month researching in the library. As the library is in constant use, the artist will be unable to have a studio/production space on site. The residency does not include accommodation.

Applications are now closed.

Current resident

Rohan Ayinde (2021)

Ayinde’s work oscillates between abstract drawings, audio-visual poetry, performance and sculpture, and is interested in the ways that abstraction can function as a method for thinking about black radical thought as a form, or a poetics. His research during the residency will take Stuart Hall’s description of “diaspora identity” with the work of Frank Bowling as a starting point from which to develop a grammar for thinking a contemporary poetics of blackness/fragmentation. Through this research, Ayinde aims to create a series of audio-visual poems that “weave through the journey that black radical thought takes us on, seeking to give space and credence to the fracture it gives voice to and hopefully arguing that the fracture is a generative place into, and out of which, to make art”. 

A public event where Ayinde shares his research will be presented towards the beginning of 2022.

About Rohan Ayinde

Rohan Ayinde is an interdisciplinary poet based between London and Chicago. His work is centred around creating “otherwise” potentials (Ashon Crawley), and in so doing breaking down and simultaneously reconfiguring the ideological architectures that shape our daily and generational lives. Most recently, his work is shaped by a dance around the possibility opened up by the logics of black holes, specifically when read in conversation with the historical and material conditions of blackness.

Ayinde is one half of the wayward/motile collaborative duo, with friend/producer/dancer Yewande YoYo Odunubi. He received his MA in Visual and Critical Studies from SAIC (2019). He is the gallery manager for Blanc (Chicago), is a curatorial fellow with ACRE, and has curated shows at Blanc, ACRE Projects, and NOW Gallery. 

Previous Residents


Rosa-Johan Uddoh (2020)

Image: ‘Performing Whitness 2: Mews’, 2019, by Rosa-Johan Uddoh, co-produced with East London Cable.

Rosa began her residency in May 2020. The jurors selected Uddoh for her ongoing interest in her practice concerning the construction of the performative act and characterisation in popular culture that produces the black or British subjectivity. Uddoh’s previous work has drawn on popular figures such as Moira Stuart, Hercule Poirot, Venus Williams, Una Marson.

During this time, Uddoh will focus on researching Stuart Hall’s lectures and other archival material available online. Uddoh explains that she will be “using the library resources to contextualise his charismatic presentations with performance art of the time.” She plans “to study Hall’s Open University lectures as performances for late-night television and his published papers as scripts. Exploring Hall as both performance theorist and performer himself, this research will culminate in a pantomime.”

Through this research, Uddoh will explore Hall’s commitment to disseminating knowledge through different media channels, which acquires a renewed sense of urgency in the context of the current global situation. A public event will be presented in 2022. 

About Rosa-Johan Uddoh

Rosa-Johan Uddoh (b.1993, Croydon) is an interdisciplinary artist working towards radical self-love, inspired by black feminist practice and writing. Through performance, installation, ceramics, video and sound, she explores an infatuation with places, objects or celebrities in British popular culture, and the effects of these on self-formation. 

Rosa studied Architecture BA at Cambridge University and MA Fine Art at The Slade (University College London) as a Sarabande Foundation scholar. Recently, Rosa has shown work at: Tate Modern, Jupiter Woods (solo), Black Tower Projects (solo), Nottingham Contemporary and New Contemporaries 2018. She is a Liverpool Biennial & John Moores University Fellow and a Lecturer in Performance at Central Saint Martins.




Alicja Rogalska (2019)

Alicja Rogalska, The Aliens Act (2019), film still.

Alicja Rogalska will be in residence at Iniva’s Stuart Hall Library from April to July 2019. Rogalska’s proposed research project explores Stuart Hall’s ideas of citizenship through his writings on classification as fundamental to human culture and, simultaneously, as a system of power. The research will situate Stuart Hall’s work within the contemporary context of immigration law and global citizenship discourse utilising the Stuart Hall Library, itself, as a site of classification.

The Stuart Hall Library Artist’s Residency is an annual funded opportunity established in partnership between Iniva and the Stuart Hall Foundation. Building on the distinct connections between both organisations, the three-month residency allows a visual artist the space to think about some of the key themes related to the work of Iniva and the Foundation, including the language of the diaspora, culture, identity and archiving.

About Alicja Rogalska

Alicja Rogalska is an artist living in London and working internationally. Her practice is research-led, interdisciplinary and focuses on social structures and the political subtext of the everyday. She mostly works in specific contexts making situations, performances, videos and installations in collaboration with other people. Her projects are attempts to practise a different political reality in the here and now, create space for many voices to be heard and to co-exist, whilst collectively searching for emancipatory ideas for the future.

Alicja graduated with an MFA in Fine Art from Goldsmiths College and an MA in Cultural Studies from Warsaw University. She was artist in residence at PARADISE AIR in Matsudo/Tokyo, MuseumsQuartier in Vienna, IASPIS in Stockholm, MeetFactory in Prague, National University of Colombia in Bogota and TATE Britain in London. She attended the Home Workspace programme at Ashkal Alwan in Beirut, received grants from Arts Council England, Instytut Adama Mickiewicza, European Cultural Foundation and artist bursaries from Artsadmin and a-n. She is currently leading social practice Peer Forum at Peckham Platform/Artquest, participating in Syllabus IV and working on Radical Thinking, a solo commission for Focal Point Gallery and Art Exchange in collaboration with the Faculty of Social Sciences at Essex University.



Squirrel Nation (2018)

Still from Nature’s Shift (courtesy of Squirrel Nation)

Selected through a hugely popular open call, the collective Squirrel Nation was in residence at Iniva’s Stuart Hall Library from February to April 2018. The three members of the collective – filmmaker Erinma Ochu, visual artist Caroline Ward and curator Bianca Manu – will explore the evolution of diasporic identities and how a sense of belonging or isolation is shaped in the context of cultural and social locations, and technology.

Taking the archival material as a starting point, Squirrel Nation will use social media and modern technologies to develop a forward-looking approach to explore how individual experiences of diasporic communities today relate to the experiences of previous generations. By finding cultural ‘touchpoints’ between the generations, Squirrel Nation will create an artistic intervention to rethink the politics of blackness, diversity and inclusion

About Squirrel Nation 

Squirrel Nation is an international collective comprised of visual artists, writers, designers, sound artists, scientists and curators who create experimental works across a range of settings. The core members are filmmaker Erinma Ochu, visual artist Caroline Ward and curator, Bianca Manu.

Caroline Ward is a deaf visual artist and experience designer, trained originally in fine art and film. She is interested in intersectionality and the crossovers between nature-culture and technology. She has innovated future experiences at BBC and as Digital Associate for The Space. She is currently studying at The Royal College of Art.

Erinma Ochu is a filmmaker and writer, originally trained as a neuroscientist. She’s interested in the afterlives of creative practice and what remains from creating or experiencing intersectional work. She recently held a Jerwood fellowship with Manchester International Festival, attached to Yael Bartana’s What if Women Ruled the World. She teaches at The University of Salford.

Bianca Ama Manu is a curator and producer invested in exploring socio-political, environmental, new media and identity matters. Working between London, UK and Accra, Ghana, past work includes the Wellcome Collection and The Netherlands Embassy, Ghana. Her current role is as curator for Nubuke Foundation, an arts foundation in Accra.



On the Desert Island by Ting-Ting Cheng (2017)

Stuart Hall Foundation and Iniva (Institute of International Visual Arts) launched of On the Desert Island, an interactive audio site-specific work by artist Ting-Ting Cheng which was presented in Iniva’s Stuart Hall Library (1 June – 1 December 2017). The artwork is the outcome of the first ever Stuart Hall Library Artist’s Residency.

Offering a unique way to explore Iniva’s remarkable collection, On the Desert Island takes its cue from Professor Stuart Hall speaking to Sue Lawley on BBC Radio 4’s Desert Island Discs in February 2000. On the long-running radio show, the presenter asks the guest to punctuate their conversation with eight records they would choose to take with them if they were cast away on a desert island.

Ting-Ting Cheng draws on the recording of Professor Stuart Hall’s interview to create an audio map which imagines the Stuart Hall Library as islands with its bookshelves and contents as land mass to be negotiated. Using the library’s categorisation system that places exhibition catalogues according to their geographical location, the artist’s tour encourages the listener to wander between Great Britain and Jamaica as if they were part of an archipelago. On this physical journey they will follow Professor Stuart Hall’s conversation about identity and diversity 17 years ago in the context of Britain today. Revisiting Professor Stuart Hall’s commentary On the Desert Island casts a curious light on today’s political, social and cultural realities where issues of sovereignty and the rise of uncontained xenophobia are as prophetic as he imagined.

On the Desert Island was vailable to listen to in the Stuart Hall Library from 1 June until 1 December 2017. The work is available as a free, solo, 45-minute experiential journey around the Stuart Hall Library. For this reason, pre-booking is essential. To book your place, please e-mail