10th September 2026 / Image
SHF Peer Network Spring Workshop with Fred Moten (photos)
By: Tayyab Amin
Ahead of the 9th Annual Stuart Hall Public Conversation in May 2026, our network of creative and intellectual practitioners gathered at Conway Hall for the SHF Peer Network Spring Workshop. Joined by cultural theorist, poet and teacher of performance studies, Fred Moten, together they spent the day discussing each others’ practices, exchanging ideas and building connections.
Hosted by the Stuart Hall Foundation and facilitated by SHF Associate Ruth Ramsden-Karelse, the workshop began with introductions from attendees: members of the SHF Peer Network and the CoDE ECR (Centre on the Dynamics of Ethnicity Early Career Researcher) Network. Fred Moten and Ruth Ramsden-Karelse led open discussions, breakout sessions and readings around Policing the Crisis (Hall et al), The Crisis of the Negro Intellectual (Spillers) and more, prompted by a line of enquiry suggested by Moten:
“The aesthetics of common ground/policing the crisis (of the negro intellectual). On the one hand, let’s consider the problem of art and the artist in this particular moment in the history of our obligation to beauty; on the other hand, at this particular moment in the history of our commitment to truth, let’s consider the problem of the intellectual in an ongoing intensification and transformation of policing that turns out to be coterminous with a moment many of us have considered to be one of triumph. It might be especially to consider Stuart Hall’s work in relation to that of one of his great contemporaries, Hortense Spillers. What’s the relation between the refusal of personality and the refusal of the empiricist attitude?”
Workshop participants were also invited to attend the 9th Annual Stuart Hall Public Conversation with Fred Moten the next day. Written reflections on the Spring Workshop and Public Conversation were commissioned from Peer Network members Erinma Ochu, Researcher in Residence with Watershed and Professor in Immersive Media at UWE Bristol, and Konstantin Helm, researcher, lecturer, and PhD candidate at the Department for English and American Studies at Humboldt-Universität zu Berlin.
Supported by the Esmée Fairbairn Foundation, the Hollick Family Foundation, the Paul Hamlyn Foundation, the Power of Pop Fund, Conway Hall and CoDE.
Thank you to the SHF Trustees and Associates whose contributions made this event possible: Ruth Ramsden-Karelse, Angela McRobbie, Giorgia Doná, Nick Beech and Roshini Kempadoo.
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Read a transcript of the event here:
https://www.stuarthallfoundation.org/wp-content/uploads/2026/09/RTC-2026-2-transcript.pdf
Supported by the Esmée Fairbairn Foundation, the Hollick Family Foundation, the Paul Hamlyn Foundation and the Power of Pop Fund.
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The third conversation took place on Tuesday 9th September 2025, with Gary Younge and Keeanga-Yamahtta Taylor considering the nature of political organising using a discussion between bell hooks and Stuart Hall, published in the book, Uncut Funk: A Contemplative Dialogue (2017).
Read a transcript of the event here:
https://www.stuarthallfoundation.org/wp-content/uploads/2025/11/RTC-2025-3-Transcript.pdf
Supported by Comic Relief, the Hollick Family Foundation and the Paul Hamlyn Foundation, in collaboration with Words of Colour, Pluto Press, Soundings, and Taylor & Francis.
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https://www.lovehackney.uk/reading-lists/reading-the-crisis
17th May 2024 / Images
Anti-Racist Scholar Activism Workshop (photos)
By: Tayyab Amin
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To coincide with the Annual Stuart Hall Public Conversations that take place each year, we invite members from our Scholars, Fellows and Artists Network to participate in an in-person event. These network events are dedicated to fostering critical engagement and collaboration among scholars, artists and practitioners. They embody the purpose of our regular network gatherings: to facilitate interdisciplinary dialogue, nurture intellectual development and provide support for underrepresented practitioners.
On Friday 22nd March earlier this year, we hosted a workshop at Conway Hall in London. Led by Remi-Joseph Salisbury and Laura Connelly, authors of Anti-Racist Scholar-Activism (Manchester University Press, 2021), this dynamic forum explored anti-racist scholar activism amidst the confluence of crises scholars, artists and practitioners are navigating in their respective fields at this time.
We commissioned a member of our Scholars, Fellows and Artists Network, CJ Simon – currently a PhD scholar with the White Rose Doctoral Training Partnership – to share his reflections following the event, included below:
“In a time where it can feel quite lonely to be a Black academic, I am forever grateful for the work of the Stuart Hall Foundation. On 22nd and 23rd March, the foundation took over Conway Hall to host two exciting events; the first was an ‘Anti-Racist Scholar Activist’ workshop run by Dr Remi Joseph-Salisbury and Dr Laura Connelly, the second a Public Conversation between the acclaimed installation artist and filmmaker Isaac Julien and the incomparable writer and curator Gilane Tawadros. Whilst very different in form and substance, both events promised to bring together a wide network of scholars, artists, practitioners, and members of the public invested in producing a more equitable world. Boy, did it deliver. Over those two days there was an electric pulse of conversation between attendees stretching out from Conway Hall to the pubs and cafés dotted around London, all centred around our lived experiences, struggles, hopes, and plans for carving some kind of path forward. Lonely no longer.
“As a theatre-maker and PhD researcher interested in understanding how communities can come together to shape political opinions and behaviours, there was something incredibly refreshing about a workshop so devoted to praxis: talking through how our theoretical work can and should lead to real-world practice. This conversation was perfectly contrasted with the screening of Isaac Julien’s ‘Once Again… (Statues Never Die)’, a film which very poignantly asks the audience to reflect on the colonial relationship between history, art, and intimacy. Vindicating the writing of Stuart Hall, Julien’s piece demonstrated to me just how crucial art is to the practical work of anti-racist activists. A lovely feeling for someone who came into academia through the world of poetry and theatre.
“Surprisingly, the most exciting – and probably most radical – thing to come from this weekend hasn’t actually happened yet. In finding new friends, new peers, and new mentors to talk with, disagree with, and learn from, I know that the work has only just begun. The community is growing and expanding and finding a way to sustainably fight for an equitable world.”
The Anti-Racist Scholar Activism Workshop was supported by the CoDE ECR Network
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