The ‘Stuart Hall in Translation’ series observes Stuart Hall’s ideas in motion. by tracing their resonances and transformations as they oscillate between languages, historical moments, and varying socio-political contexts.  The series, produced in partnership with Cultural Studies journal, invites translators of Stuart Hall’s work from across the world to reflect on the following questions:

• What can be lost and gained when texts are translated into different languages?
• Can ideas form linkages across difference?
• How can ideas transcend spatial and temporal boundaries?
• What are the political implications associated with ideas moving across and between boundaries?

To initiate the project, we invited Bill Schwarz, co-author of Stuart Hall’s memoir ‘Familiar Stranger’, and Liv Sovik, professor of Communication at Universidade Federal do Rio de Janeiro, to discuss the nuances of translating ‘Familiar Stranger’ and Hall’s ideas into Portuguese for a Brazilian audience.

You can listen here to the conversation with Bill Schwarz and Liv Sovik, which was recorded in August 2022, and is introduced and hosted by SHF Director Orsod Malik.

In 2024, we extended the invitation to other translators of Hall’s work, asking them to write about their own experiences, and addressing the disparities, challenges, and synergies of translating Hall’s ideas into a different language and national context. These new texts will be published in Cultural Studies Journal and on the Stuart Hall Foundation website in Autumn 2024.

A transcript of the conversation recording is available to view and download here: (read transcript)

Supported by Taylor & Francis, Esmée Fairbairn Foundation and the Barry Amiel and Norman Melburn Trust.

The speakers

Bill Schwarz is Professor of English at Queen Mary University of London. Bill’s many publications include his Memories of Empire trilogy and his contribution to Stuart Hall’s memoir Familiar Stranger. A Life between Two Islands (2017). With Catherine Hall, Bill is also General Editor of the Duke University Press series, The Writings of Stuart Hall.

Liv Sovik is a full professor at the School of Communication of UFRJ. She is a collaborating professor of the Ethnic and Racial Relations Masters, CEFET-Rio de Janeiro, and researcher of the PACC Advanced Program in Contemporary Culture, UFRJ. She edited a major collection of Stuart Hall’s works into Portuguese, Da Diáspora: identidades e mediações culturais (Editora UFMG, 2003), and is the author of Tropicália Rex (Mauad, 2018) andAqui ninguém é branco [Here No One is White] (Aeroploano, 2009).

The Stuart Hall Foundation’s Annual Autumn Keynote with Arundhati Roy, September 2022. In the twenty-five years since the release of her world-renowned Booker Prize winning novel, The God of Small Things (1997), Arundhati Roy has consistently interrogated the meaning of justice in all its complexity, social, economic and ecological. Her last novel was The Ministry of Utmost Happiness (2017) which has been translated into more than 40 languages. Her latest collection of essays is Azadi: Freedom, Fascism, and Fiction in the Age of the Virus (2020). As we endure an unprecedented global pandemic, governmental inaction in response to the climate crisis, and the intensification of authoritarian practices across the global north and south alike, Arundhati Roy reflects on how we have arrived at this conjuncture and what might come next. In her keynote titled ‘Things That Can and Cannot Be Said: The dismantling of the world as we knew it’, Roy discusses the local and global dimensions of these crises and the ongoing resistance to them. Roy is then joined in conversation with Farzana Khan, Executive Director and Co-founder of Healing Justice London, and responds to questions from the audience.

For the 7th Annual Stuart Hall Public Conversation, the Stuart Hall Foundation welcomed acclaimed filmmaker and installation artist Isaac Julien. The event took place on Saturday 23rd March 2024 at Conway Hall, London, inaugurating our Catastrophe and Emergence programme.

Isaac’s keynote presentation explored the connection between image-making and political allegory. He drew upon his conversations with Stuart Hall over the years to reflect on how ideas, language and narratives can transform within a visual frame, presenting new modes of the imaginary. “Stuart’s double position,” Isaac reflected, “eagerly greeting this new wave of left-wing thought but subjecting it to rigorous critique, was instrumental in helping me form my own path through the stories that my research turned up.”

The event also included a new, two-screen presentation of Isaac Julien’s immersive installation, Once Again… (Statues Never Die). Tapping into his extensive research in the archives of the Barnes Foundation, Isaac’s film considers the reciprocal impact of Alain Locke’s political philosophy and cultural organising activities, and Albert C. Barnes’ pioneering art collecting and democratic, inclusive educational enterprise. This was the first time the piece was shown in this format in the UK. Following the screening, Isaac was joined in conversation with Gilane Tawadros, Chair of the Stuart Hall Foundation and Director of the Whitechapel Gallery. An audience Q&A also took place, and Newham Bookshop provided a stall for attendees to browse from.

Additionally, the inaugural Stuart Hall Essay Prize was awarded to its first winner, Hashem Abushama, for the essay “a map without guarantees: Stuart Hall and Palestinian geographies”. Trustee and judging panel member Catherine Hall presented the award to Hashem, whose acceptance speech provided additional valuable context to the essay’s creation and content.

In partnership with Conway Hall supported by Esmée Fairbairn Foundation, Barry Amiel and Norman Melburn Trust and Cockayne Grants for the Arts, a donor-advised fund held at The London Community Foundation.

The Stuart Hall Foundation’s Reading the Crisis series asks: what kinds of tools and strategies are needed to address this conjuncture? This online conversation series seeks to advance Stuart Hall’s thinking by analysing a curated selection of three of Hall’s essays in relation to present-day political formations. Each conversation, chaired by Aasiya Lodhi, forms an online teach-in space dedicated to demonstrating how engaging in a conjunctural analysis can enrich artistic practice, deepen organising work, and academic study.

The third event in the series took place on Tuesday 23rd July 2024, featuring Gail Lewis and Roderick Ferguson responding to Stuart Hall’s 1990 essay ‘Cultural Identity and Diaspora’.

Read a transcript of the event here:
https://www.stuarthallfoundation.org/wp-content/uploads/2024/09/RTC-Episode-3-Transcript.pdf

In partnership with Duke University Press supported by Esmée Fairbairn Foundation and Barry Amiel and Norman Melburn Trust.

Reading the Crisis is part of the Stuart Hall Foundation’s Catastrophe and Emergence programme. Learn more about Catastrophe and Emergence here:
https://www.stuarthallfoundation.org/projects/catastrophe-and-emergence/