The Stuart Hall Foundation’s Reading the Crisis series asks: what kinds of tools and strategies are needed to address this conjuncture? This online conversation series seeks to advance Stuart Hall’s thinking by analysing a curated selection of three of Hall’s essays in relation to present-day political formations. Each conversation, chaired by Aasiya Lodhi, forms an online teach-in space dedicated to demonstrating how engaging in a conjunctural analysis can enrich artistic practice, deepen organising work, and academic study.

The second event in the series took place on Monday 24th June 2024, featuring Aditya Chakrabortty and Jeremy Gilbert responding to Stuart Hall’s 2011 essay ‘The Neoliberal Revolution’ in order to better understand today’s political milieu.

Read a transcript of the event here:
https://www.stuarthallfoundation.org/wp-content/uploads/2024/07/RTC-Episode-2-Transcript.pdf

Coming up in the Reading the Crisis series:
23rd July – Cultural Identity and Diaspora
Learn more: https://www.stuarthallfoundation.org/events/

In partnership with Duke University Press supported by Esmée Fairbairn Foundation and Barry Amiel and Norman Melburn Trust.

Reading the Crisis is part of the Stuart Hall Foundation’s Catastrophe and Emergence programme. Learn more about Catastrophe and Emergence here:
https://www.stuarthallfoundation.org/projects/catastrophe-and-emergence/

The Stuart Hall Foundation’s Annual Autumn Keynote with Arundhati Roy, September 2022. In the twenty-five years since the release of her world-renowned Booker Prize winning novel, The God of Small Things (1997), Arundhati Roy has consistently interrogated the meaning of justice in all its complexity, social, economic and ecological. Her last novel was The Ministry of Utmost Happiness (2017) which has been translated into more than 40 languages. Her latest collection of essays is Azadi: Freedom, Fascism, and Fiction in the Age of the Virus (2020). As we endure an unprecedented global pandemic, governmental inaction in response to the climate crisis, and the intensification of authoritarian practices across the global north and south alike, Arundhati Roy reflects on how we have arrived at this conjuncture and what might come next. In her keynote titled ‘Things That Can and Cannot Be Said: The dismantling of the world as we knew it’, Roy discusses the local and global dimensions of these crises and the ongoing resistance to them. Roy is then joined in conversation with Farzana Khan, Executive Director and Co-founder of Healing Justice London, and responds to questions from the audience.

For the 7th Annual Stuart Hall Public Conversation, the Stuart Hall Foundation welcomed acclaimed filmmaker and installation artist Isaac Julien. The event took place on Saturday 23rd March 2024 at Conway Hall, London, inaugurating our Catastrophe and Emergence programme.

Isaac’s keynote presentation explored the connection between image-making and political allegory. He drew upon his conversations with Stuart Hall over the years to reflect on how ideas, language and narratives can transform within a visual frame, presenting new modes of the imaginary. “Stuart’s double position,” Isaac reflected, “eagerly greeting this new wave of left-wing thought but subjecting it to rigorous critique, was instrumental in helping me form my own path through the stories that my research turned up.”

The event also included a new, two-screen presentation of Isaac Julien’s immersive installation, Once Again… (Statues Never Die). Tapping into his extensive research in the archives of the Barnes Foundation, Isaac’s film considers the reciprocal impact of Alain Locke’s political philosophy and cultural organising activities, and Albert C. Barnes’ pioneering art collecting and democratic, inclusive educational enterprise. This was the first time the piece was shown in this format in the UK. Following the screening, Isaac was joined in conversation with Gilane Tawadros, Chair of the Stuart Hall Foundation and Director of the Whitechapel Gallery. An audience Q&A also took place, and Newham Bookshop provided a stall for attendees to browse from.

Additionally, the inaugural Stuart Hall Essay Prize was awarded to its first winner, Hashem Abushama, for the essay “a map without guarantees: Stuart Hall and Palestinian geographies”. Trustee and judging panel member Catherine Hall presented the award to Hashem, whose acceptance speech provided additional valuable context to the essay’s creation and content.

In partnership with Conway Hall supported by Esmée Fairbairn Foundation, Barry Amiel and Norman Melburn Trust and Cockayne Grants for the Arts, a donor-advised fund held at The London Community Foundation.