In ‘Our Mongrel Selves’ (1992), Stuart Hall highlights how ‘strengthening of ‘local’ allegiances and identities’ might erode ‘‘centred’ nationalisms of the west European nation state’; this development could enable greater co-operation across national boundaries, but risks ‘re-valorisation of smaller, subordinate nationalisms’ based on these local allegiances.[1] Hall warns against temptations ‘to produce a purified ‘folk’ and to play the highly dangerous game of ‘ethnic cleansing’.[2] His fears are informed by genocide and forced migrations that, while he wrote, were accompanying the break-up of Yugoslavia; however, his caution might also apply more widely:

“Here, the real dislocated histories and hybridised ethnicities of Europe, which have been made and remade across the tortured and violent history of Europe’s march to modernity, are subsumed by some essentialist conception of national identity, by a surreptitious return to ‘tradition’ […] that recasts cultural identity as an unfolding essence, moving, apparently without change, from past to future.”[3]

The dilemma is how to cultivate the positive potential of folk cultures while resisting an essentialised, purist approach that could develop into fascism. One figure who grappled successfully with Hall’s problem is Bill Griffiths, a poet, Old English scholar, archivist, prisoners’ rights activist, classical pianist and sometime Hell’s Angel who stands out among the British avant-garde of the late 20th and early 21st centuries for his folkic methods, developing friendships with peripheral communities and letting their voices inform his writing. Even his earliest poems, written in the 1970s, incorporate idioms from prisoners, biker gangs and Roma. In 1990, Griffiths’ folk interests gained new focus when he moved from London to Seaham, a fishing and mining town in County Durham. He remained based there until he passed away in 2007.

Griffiths shares Hall’s appreciation of ‘real dislocated histories and hybridised ethnicities’ in any culture’s genealogy. This understanding of ‘folk’ is international, interracial and transcultural, remaining open to ongoing change. For Griffiths, ‘folk’ offers not a conservative force, but potential for radical resistance. This essay considers how these values impacted the folk-oriented research that Griffiths initiated in Seaham, including extensive work alongside long-term residents to celebrate North East dialect in the face of hegemonic, centralised Englishness. This all fed into his poetry, which periodically deployed dialect throughout his time in the region. The linguistic texture and poetic stakes show in the opening of the poem ‘On Vane Tempest Provisionally Shut, 23 October, in the Afternoon, 1992’:

While the bishop that tawks to the pollis that bray’d the miners woz marchin’,

wiv a thrang, weel-hair-comb’d mob, tiv address a petishun

til their Lord

whe lives mony a sunny mile frev here,

Satan, wiv a singular bat o’ his gristly neeve

tew’d Vane Tempest sarely, aal but drav it

clean belaw ti the sea. [4]

Vane Tempest was the last of three collieries around Seaham to shut. ‘Thrang’ means ‘busy’ or ‘crowded’; to ‘bray’ and ‘bat’ mean to ‘hit’ or ‘beat up’; to ‘tew’ is to ‘trouble’; while a ‘neeve’ is a fist.[5]

The poem demonstrates how dialect enables closely worked sound patterns. A series of subtle, often unstressed rhymes and pararhymes runs through the passage – ‘wiv’, ‘tiv’, ‘frev’, ‘wiv’, ‘neeve’, ‘drav’ – that disappear with the standard English ‘with’, ‘to’, ‘from’, ‘with’, ‘fist’, ‘drove’. Likewise, dialect pronunciation and vocabulary introduce puns that accentuate meaning. With ‘pollis’, pronunciation of ‘police’ approaches the word’s Greek root, πόλις (‘polis’) or ‘city’, aligning law enforcement with the poem’s city, either Durham (home of the local bishop, with ‘Lord’ suggesting God) or London (seat of the government whose policies led to the mine’s closure). Either way, the city represents power distanced from local concerns.

Griffiths’ engagement with North East dialect originates at his moment of arrival in Seaham. Shortly afterwards, Griffiths wrote to poet Eric Mottram: ‘I have only been here a week or so, but the difference to the tensions of the London Borough of Hillingdon is already striking, and I look forwards to making many good friends here (when I have learned the language).’[6] From most people, the parenthetical remark would seem a throwaway quip, but Griffiths meant it. He began researching local dialect, self-publishing books on the subject, as he had long done for his poetry; initially there was an anthology of

dialect texts, Durham and Around: A Dialect Reader (1993), and a lexicon, Durham & Around: Dialect Word List (1994).

It is worth noting that, for Griffiths, issues of language (dialect or otherwise) are intensely political. As early as 1974, he distributed to friends the mimeographed pamphlet Notes on Democracy, where he ruminates on the coercive power of language and outlines a programme for abolishing government itself:

Present govts seem scared to minimize change. Paradox: instability precipitates govt, but govt is limited by its own ambitions and creation from dealing with total reality. Events, populations, resources, are non-stable. So we have no continuous govts but a series of attempts. Each time a govt’s failure or corruption is exposed, and the concept of authority comes under scrutiny, we are told the only solution is an intensification of authority. Consider this in relation to English prison policy in the 1970s.[7]

Griffiths’ politics feel like anarchism, though he prefers the term ‘democracy’, holding that  no British government has yet implemented democracy in its true sense. His principles extend to this text’s circulation, with a conversation or negotiation envisaged between writer and reader. He provides a wide margin on each page, as medieval scribes and early modern printers often did so that readers could add marginalia and initiate their own conversations with a text. The pamphlet concludes: ‘You are invited to use the space at the right of each page or any extra paper, to make your own comments and further points upon. You might like to return the annotated copy to Bill Griffiths, 107 Valley Drive, London NW9 9NT.’[8] Indeed, throughout his career, Griffiths leaves his texts open to continuing transformation; his editor, Alan Halsey, describes how ‘in some cases this involves revision in the commonly accepted sense, in others it is more a case of re-vision – the text reproduced verbatim but in a different page space and/or variant setting’.[9] What would this democratic, anarchistic poetics of constant renegotiation mean when actually enacted in a community, though? A few months after arriving in Seaham, Griffiths wrote A Pocket History of the Soul (1991). This essay describes how political hierarchies derive from a pernicious theology in which the human soul, with authority over the body, is in turn policed by God. Griffiths proposes that hierarchies of religion, nationhood, landlordship, colonialism and capital should all be dismantled, replaced by systems more accountable and responsive to the people they serve. This requires cultivation of skills and heightened participation in local culture by the residents:

Without participation there can be no meaningful ‘democracy’. […] Participation is thus something quite different from token consultation at a General Election, or token opportunity to put objections to some local scheme devised elsewhere by planners at county or country level. It is the opposite of social engineering since no grand theory is involved but only local conditions are taken into account.[10]

Griffiths actually came close to a position where he might have implemented his localism on a larger scale, and though he did not quite succeed, he nevertheless leveraged benefits for his neighbourhood. The inciting incident was an announcement of ‘grandiose plans for dockland redevelopment and new executive housing’, as his friend, historian Bill Lancaster, recollects:

This ‘wash and brush-up’ of Seaham was seen by Bill as the gentrification of his coastal village and a personal threat as the demolition of his home was part of the scheme. Although new to Seaham he organized and led the protests against the plan, which culminated in him standing as candidate for the council. Labour’s hold on Seaham was traditionally watertight and their candidates were usually elected unopposed. He came within a few votes of winning the seat, a shock to Labour who wisely revised the plan and left Bill’s area as it was.[11]

Griffiths saw even the Labour Party, traditional ally of North Eastern mining communities, as too distant from Seaham’s local concerns. Campaigns for regional devolution have long been active in the North East: in the 1970s, poets Colin Simms and Basil Bunting were on the committee of the Campaign for the North; a successor organisation, the Campaign for a Northern Assembly, was active but unsuccessful in 2004’s referendum on devolution for the North East; and recently, Newcastle-based scholar Alex Niven has persuasively argued for regional devolution across England.[12] None of this would satisfy Griffiths, for whom even the Durham County Council’s fiefdom is unwieldy and dehumanising. For him, the town is the level at which local democracy and culture should operate.

Griffiths’ election bid was in May 1995; the following November, Durham County Council published Turning the Tide, a report proposing removal of mining spoil from beaches between Seaham and nearby Easington. In a journal article the following year, Griffiths explained that the plan would accelerate coastal erosion, and questioned whether some spoil should be ‘tipped into Hawthorn Quarry […] making one site (the coast) pretty and another site (the abandoned, renascent quarry) ugly’.[13] He argued that the County Council’s participation in a ‘cult of the restoration of the past is necessarily delusory, unavoidably a fantasy’, betokening a ‘myth of a return to former Aryan glory’.[14] Evoking

white supremacist ideology, Griffiths parallels Hall’s wariness of seeing folk culture as ‘an unfolding essence, moving, apparently without change, from past to future’, as well as the link between this and ‘ethnic cleansing’. Griffiths, unlike the Council, shows willingness to celebrate the unexpected, notionally ‘impure’ materials that history may present.

These conflicts all manifest in the poem about Vane Tempest. The piece was published posthumously; in his computer files, Griffiths grouped it with dialect poems published in 1992–93, but it must postdate these, as it portrays later events.[15] After the description of the mine closure, the narrator receives mail:

[…] a letter cam hoy’d thru me door axin’ if we’d mebbe like

the toon-cooncil abolisht, like? Kas oor views might metter. An’ wad we like the toon-centre jis pulled doon too,

while thor at it.[16]

This refers to the gentrification scheme, and to a referendum that preceded Griffiths’ election bid, concerning the possible abolition of Easington District Council so that its functions could be centralised at County Council level.[17] Despite reservations about the District Council’s track record, Griffiths abhorred this attempt to appropriate power, as did many of his neighbours, to judge by referendum results which saw the District Council retained.

The poem continues; Satan reappears. An arch-Thatcherite, he urges Seaham’s miners to use their redundancy payments to buy shares in a newly privatised Hell – a post-

regeneration vision of Seaham where the Devil will ‘landskip ye aal in kak’.[18] This alludes to the County Council’s scheme to infill nearby Hawthorn Quarry with spoil from the beach – a near-literal landscaping of the area with excrement. Griffiths reflects:

An’ Aa stud in a stiumor. For whe knaws, i’ true, What’s plann’d?

It’s sittled

An’ leave us wi’ nowt

But dialeck for democracy.[19]

Buying shares in privatised industries, like the parliamentary phantom of democracy, bestows merely illusory control over the world – Seaham’s future is already ‘plann’d’ and ‘sittled’ between the Council and its corporate allies. ‘Dialeck’ remains the one area where some measure of personal choice can persist in defiance of such forces. Though it, too, is under siege by a hegemonic culture industry enforcing standard English, its potential remains far from trivial. It is in the aftermath of his political and environmental campaigns of 1995 and 1996 that Griffiths’ dialect activities truly took wing. While they may seem indirect actions compared to, say, running for office, in fact it was in dialect research that he was able to bring his political poetics most completely into practice.

Through the mid-1990s, Griffiths continued his dialect research in partnership with his friends Gordon Patrickson and Trevor Charlton.[20] By 1998, there was enough local interest to establish the Durham & Tyneside Dialect Group, a larger-scale project to catalogue the region’s distinctive vocabulary. This ran along collectivist lines, with Griffiths

taking the title ‘Co-ordinator’ rather than becoming leader per se.[21] In a 2006 interview, recorded during wider research into North Eastern dialects by B.B.C. Radio Newcastle, Griffiths is interviewed alongside the Group’s Secretary Tom Richardson and colleague Nichol Hopper. The conversation gives a valuable insight into their decentred methodology and organisational structure.

The interviewer asks about the trio’s experience of using or hearing local dialect terms. What’s noticeable about Griffiths’ contribution is his diffidence. He happily supplies findings from the group’s research, or etymology from his medieval studies, but lets his friends handle all the questions about personal use of dialect. It is refreshing that, despite his accomplishments, he does not impose himself as spokesman; instead, he behaves as a specialist within a collective whose other members may have expertise more pertinent to certain questions. Even when the interviewer requests an account of the Dialect Group’s methods, Griffiths asks ‘Shall I do that?’ and waits for agreement from the others before proceeding.[22] He then describes opening project to even wider participation by soliciting dialect words from the region’s wider population.

Griffiths: […] in 2001 we put out a questionnaire, quite a simple one, and that got a lot of responses, about 500 came in, and we built on that to build up a dictionary, which is published now. And that’s a mix of words from previous publications and all the words that were sent in. And, ah, people was very keen on it. We get words coming in every week, certainly, if not every day. There’s a lot to collect still. […] One I hadn’t heard before was ‘pagged’ for ‘tired out’.

Richardson: That one’s been in common use for as long as I remember, yeah. But you’ve just added it to the list, haven’t you?

Griffiths: That’s the first I heard it.

Richardson: Yeah, maybe you should get out more, Bill?[23]

Griffiths also built a website with a feature that allowed contributions to be submitted internationally. Dozens of co-authors were thereby welcomed into what eventually became A Dictionary of North East Dialect (2004; second edition 2005).

By collecting input from living speakers in this way, the Dialect Group documented speech that speech that is no mere ‘essence, moving, apparently without change’, but that constantly adjusts to its environment. For example, numerous ‘dialect terms seem to have survived by a process of doubling-up, whereby the unfamiliar term is linked into a self- explanatory compound’ – for example ‘guissy-pig’, where ‘guissy’ itself means ‘pig’.[24] Also, established dialect words have taken on new meanings:

canch (stony ridge) now used for ‘kerb’

charver (young person) now used for ‘club-goer’ duds (clothes) now used for ‘boxer shorts’

dut (bowler hat or cap) now used for ‘small woolly hat’ midden (rubbish tip) now used for ‘dustbin’

skeets (boots) now used for ‘football boots’ sneck (latch) now used for ‘catch on a yale lock’

and from earlier sources: settle (bench) used (1938) for ‘couch’.[25]

Both the Durham & Tyneside Dialect Group, and North East dialect itself, hence epitomise Griffiths’ anarchistic, democratic poetics. Like one of his ‘re-visioned’ poems, or the provisional text of A Note on Democracy, dialect words’ meanings can change when introduced to new contexts, and are subject to renegotiation through conversation. The Group exemplifies democratic participation of the kind imagined in A Pocket History of the Soul, where success depends on locally specific knowledge, and on willingness to concede

the floor when one’s own knowledge is less pertinent to particular circumstances than someone else’s (as does Griffiths in the B.B.C. interview). Most notably, just as Griffiths rejects the idea that the Durham coast ever had a supposedly ‘pure’ past, the Group celebrates (in Hall’s words) the ‘dislocated histories and hybridised ethnicities’ of their region. This manifests not only in the modern dialect’s constant flux, but in the fact that the dialect has never not been in flux. The Dictionary of North East Dialect is painstaking in cataloguing etymologies; not only are there abundant legacies of the Anglian and Norse languages (which Griffiths suspects of having creolised together to a degree during the early medieval period), but loan-words are borrowed from throughout nearby regions and nations, as well as from peripatetic communities like the Roma (the abovementioned ‘charver’ has Romani origins).[26] Griffiths also rejects the racist trope that ‘dialect signals ethnic descent.’[27] It is impossible to read the Dialect Group’s research and come away, as Hall puts it, ‘subsumed by some essentialist conception of national identity’ for the North East. A good dictionary may be the best antidote to fascism.

Griffiths’ cultural activism in Seaham, particularly around dialect research, remains a testament to the possibility of local resistance against the totalising influence of the nation – either the existing nation-state, or the ‘new nationalisms’ of locality. Likewise, in Griffiths’ poetry, dialect is how a marginalised community voices opposition to the individuals in power, highlighting the latter’s actual helplessness to grant freedom from the structures that bestow this power. In contrast, proposing one’s own structures, as Griffiths and his allies attempted through political, environmental activism, and via linguistic research, may well distribute power more equitably. The poem on Vane Tempest concludes:

Onyway,

Aa had me environmentalist badge alang wi’ me, and howk’d it oot, and confronted him wi’it,

an’ Satan bowked oot an awefu’ pump, and lowped inti the hole

the pit wiz yance,

an’ the sun cam spanglin’ oot, an’ someone somewhere

gov the bishop a thanks

as tho’ any wun man can de owt thru power

ti release ye.[28]

References

1. Stuart Hall, Selected Political Writings: The Great Moving Right Show and Other Essays, ed. by Sally Davison et al. (London: Lawrence & Wishart, 2017), p.276.
2. Hall, p.278.
3. Hall, p.278.
4. Bill Griffiths, Collected Poems Volume 3 (1992-96), ed. by Alan Halsey (Hastings: Reality Street, 2016), p.144.
5. Griffiths, A Dictionary of North East Dialect (Second Edition) (Newcastle upon Tyne: Northumbria University Press, 2005), p.173, p.19, p.9, p.170–171, p.122.
6. Griffiths, Letter to Eric Mottram, 9 June 1990; London, King’s College, MOTTRAM 5/100/1–36.
7. Griffiths, A Note on Democracy (London: Pirate Press, 1974), n.p. Typographical errors corrected.
8. Griffiths, A Note on Democracy, n.p. Griffiths’ italics.
9. Alan Halsey, ‘Pirate Press: A Bibliographical Excursion’, in The Salt Companion to Bill Griffiths, ed. by Will Rowe (Cambridge: Salt, 2007), pp.55–71: p.55.
10. Bill Griffiths, A Pocket History of the Soul, n.p.; section 40.
11. Lancaster, ‘Bill Griffiths Northern Days’, Lancaster, Bill, ‘Bill Griffiths Northern Days’, Journal of British and Irish Poetry, 6.1 (March 2014), 13–26: 16.
12. Colin Simms, ‘A Glimpse of the “Inly-Working North”: A Meeting of the Campaign for the North’, in Northern Review, 6, Spring 1998, 69–70; Alex Niven, New Model England: How to Build a Radical Culture beyond the Idea of England (London: Repeater Books, 2019).
13. Griffiths, ‘Coastal Strategy in Co. Durham: Turning the Tide or Losing the Beaches?’, in Northern Review, 4, Winter 1996, 100–104: 103.
14. Griffiths, ‘Coastal Strategy in Co. Durham’, p.103, p.101.
15. Alan Halsey, notes to Griffiths, Collected Poems Volume 3, pp.512–513.
16. Griffiths, Collected Poems Volume 3, p.145.
17. Griffiths, A Century of Self-Service?: Aspects of Local Government in the North East with Special Reference to Seaham (Seaham: Amra Imprint, 1995), n.p. (section 1).
18. Griffiths, Collected Poems Volume 3, p.146.
19. Griffiths, Collected Poems Volume 3, p.147.
20. Durham & Tyneside Dialect Group: 2005-03-22T12:00:00 (archived website): London, British Library.
21. Durham & Tyneside Dialect Group.
22. ‘‘Conversation in Seaham about Accent, Dialect and Attitudes to Language’, B.B.C. ‘Voices’ Recordings, 2005: London, British Library, 00:01:07.
23. ‘Conversation in Seaham…’, 00:01:09.
24. Griffiths, ‘Words with Edges’, Northern Review, 11, 2002, 41– 51: 49.
25. Griffiths, ‘Words with Edges’, p.49. Griffiths’ underlining.
26. Griffiths, A Dictionary of North East Dialect, p.xiii; p.30.
27. Griffiths, ‘Words with Edges’, p.44.
28. Griffiths, Collected Poems Volume 3, p.147. A ‘pump’ is a fart – Griffiths, A Dictionary of North East Dialect, p.136.

The past few years have been something of a climate awakening in the Global North. Across Europe and North America, the movement to decarbonise our economy has not only become more organised, but the analysis of how we got here and who is responsible has become clearer. The imagination of what constitutes climate action has begun to be wrenched from the grips of liberal environmentalism – an ideology that abstracts our relationship with nature from how we run our political and economic systems. It is slowly dawning on us that we are staring down the barrel of 5 degrees warming by the end of this century, not because people don’t eat organic or have their own compost heaps. Rather, it’s because the way we have designed the modern world demands we exploit ourselves, each other and the world around us at all costs. From the Sunrise Movement, to Black Lives Matter, to the Youth Climate Strikers: the streets are making it clear that climate action cannot just be about reducing, reusing and recycling. It has to also be about revolting, resisting and rebuilding.

The Green New Deal Shift

At a policy level, this shift in thinking is being articulated through the framework of a ‘green new deal’. Although varying dramatically in their radicalism, most green new deals acknowledge that climate action cannot be about incentivising ‘greener’ individual behaviours. Rather, vast amounts of capital and political will must be channelled into reconstructing our society around renewable energy – creating public infrastructure and millions of ‘green jobs’ in the process.

To be clear, this is not climate leadership. It’s climate catch-up. Movements in the Global South and in Indigenous communities have been situating climate breakdown as an explicit product of colonial capitalism for decades. Their analysis has been actively and violently removed from decision making processes by the very institutions claiming to be at the forefront of climate action.

Yet, even as the penny starts to drop on the systemic nature of climate breakdown, we have not grappled with the global implications of climate breakdown, and our responses to it. Much of this stems from the legacy of Roosevelt’s original New Deal – which the Green New Deal builds on.

The New Deal’s Nationalism Problem

The New Deal was a historically exceptional example of the state intervening to shift resources away from capital and towards labour. It is true that it offered many working class North Americans a social safety net during a time of crisis. Yet, baked into this were the racialised and geographic exclusions that have always defined social democratic notions of ‘progress’. From redlining, to the internment of more than 100,000 Japanese people, there were strict boundaries around who was and was not included in Roosevelt’s vision of public investment. Indeed, the racialised inclusions and exclusions of the New Deal is summarised no better than in the image of Japanese internment camps being built by employees of the Work Projects Association, one of the largest state agencies set up under the New Deal.

What’s more, the New Deal was designed to be a distinctly national programme. It did not concern itself with the global impacts of the financial crash, despite the central role played by US institutions in creating the crisis. It also did not question the premise that the US can and should use its geopolitical power to secure its economic interests abroad – particularly in Latin America and the Caribbean.

It is within this context that we must scrutinise the assumptions underpinning Green New Deal frameworks emerging out of the Global North. Who is, and is not included in these visions of ‘green growth’ – and on whose backs is this development being built?

Good green jobs for whom?

One angle we can look at this from is that of ‘green jobs’. The green new deal promises Europeans and North Americans millions of secure, unionised jobs. Like the original New Deal, the vision is that these green jobs will be created through the building of massive public infrastructure projects, which will need to be built as part of a green transition – things like renewable public transport, green housing and solar panels. Rightly so, much of this has been focused on ensuring that already precarious oil and gas workers will not be abandoned in the shift to renewable energy. Rather, their expertise and skills are to be repurposed under a just transition. Research by Platform has found great appetite amongst offshore workers in the North Sea Oil for being part of such a change.

It is absolutely correct that the green new deal focuses on this workforce, who have a right to to be skeptical about the likelihood of a just transition. You only have to look at how successive governments have gutted and then abandoned industrial towns and cities, to understand why there’s little faith in the state to protect local communities during transition periods. However, when approached globally, this represents just one part of a much bigger story about work and climate crisis.

Without a global justice lens, visions of abundant public infrastructure fuelled by renewable energy in the North will be upheld by the exploitation of human labour and resources in the South. We must not forget what a renewable energy revolution looks like for those further down the supply chain, particularly those in industries that are assumed to continue – and possibly even expand – in a system based on renewable energy. Global production of batteries, solar panels, electric cars and wind turbines relies on rare earth minerals like cobalt that are overwhelmingly sourced from the Global South under horrific ecological and labour conditions. Not only does the digging of mines displace and endanger those living near them, but the mining industry is responsible for some of the most exploitative labour practices in the world. The International Labour Organisation found that in the Democratic Republic of Congo, where much of the world’s cobalt is extracted, 93% of the mining workforce experiences labour exploitation – many of whom are children as young as seven. As the demand for renewable technologies massively expands, downward pressure is worsening the working conditions of Chinese assembly lines.

Much of this demand is coming from companies headquartered in the Global North. The scale with which this expansion is taking place is driven by a ‘green growth’ agenda, which looks to essentially continue the current way in which our society is organised, but where carbon is replaced by rechargeable batteries and green energy. Existing visions of abundant green infrastructure in the Global North have not adequately grappled with what this means for the workers globally.

This is the danger of pursuing a green new deal that focuses primarily on workers in certain sectors or geographies of the supply chain – or that limits its imagination within national boundaries. The reality is that supply chains that make possible green technologies and other consumer or infrastructural products are transnational – and these supply chains are heavily implicated in any vision of a green new deal – global or otherwise. These workers, because of their geographic, class and racial locations, tend to be out of the purview of policymakers, especially in the global north. They are made vulnerable by some of the more West-centric green new deal discourses, despite being already at the sharp end of climate breakdown.

Care jobs are green jobs

Many of the working conditions that are most severely impacted by climate breakdown – and which will be heavily implicated in our responses to climate breakdown – are in forms of labour that aren’t even considered work.

Climate discourse in the Green New Deals of the Global North tend to focus on those masculinised industries deemed “productive” to GDP  – like energy, transport and construction. However, the conditions of both paid and unpaid social reproductive labour – the work that goes into caring, cleaning, cooking and educating – tend to remain unaddressed. This is despite the fact that this kind of work is not only the building blocks upon which the rest of society relies, but it is essential to surviving climate-induced crises.

This is also part of the legacies left to us by the framework of Roosevelt’s New Deal, which transformed the working rights in many industries – but still relied on women doing the lion’s share of unpaid domestic labour in the home – and did not address the conditions of largely racialised, paid domestic work. This invisibilisation of domestic work is baked into capitalism itself. Today over 75% of unpaid care work in the world is undertaken by poor women and girls. Their contribution to the global economy when valued at minimum wage is $10.8 trillion – more than three times the value of the global tech industry.

Indeed, COVID-19 showed us what happens to the working conditions of women when crisis hits. When food supply chains are disrupted and care systems are overwhelmed, it’s marginalised women that absorb the fall out. They fill the care gaps, they strategise around food and energy stability and provide emotional and mental support to the community around them.  Climate-related crises are no different. As our sense of stability is and will continue to be shaken, the labour of caring for one another will increase in its scale and intensity. A global green new deal must reckon with this, and ensure that women – particularly in the South – are not paying the highest price for climate breakdown. This means distributing social reproduction fairly, and building our infrastructures of mitigation and resilience around collectivising this labour and providing a material safety net for all.

Reimagining work

A key reason why the issue of global and gendered inequality continues to pervade our responses to climate breakdown is because we are still relying primarily on the political units of change that created this crisis. Units such as the nation-state, capitalist growth and patriarchal notions of ‘productive’ labour. There are of course practical reasons why some of our thinking needs to be articulated at the national level, but the existing model of nationally bound green new deals make it almost impossible to not reproduce colonial logics of green development – also known as ‘green colonialism’.

The green new deal can begin to work through these contradictions by re-imagining what it is actually trying to do. We often hear that the aim of climate action is to ‘save the world’ – understandably so given the loss of life we can expect if we continue as we are. But we must also be clear that we do not want to save the world as it currently exists; a world that engineers inequality in order to sustain its model of growth and development. We want to change the world. We want to change how we connect to one another, and what assumptions underpin the systems in which we live.

In the case of work – we want to change what it is we are working for: are we working to build more roads so companies like Amazon can provide next day delivery? Or are we working to make sure that we all have our care needs attended to in meaningful ways? Is the aim for everyone to have a 9 to 5 industrialised job in order to sustain unhealthy capitalist demand, or is it for the essential work of living to be distributed fairly, freeing up time for things other than work – things that give us joy, pleasure and safety? By asking fundamentally different questions, we create the space in which truly radical and global answers can begin to emerge.

The climate crisis presents us with an existential threat that requires a global response. But the scale of response needed also offers us a unique opportunity to do something much bigger than simply save work. It gives us the chance to reimagine it.

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For more on what a global green new deal could look like, check out Dalia’s co-curated illustrated book ‘Perspectives on a Global Green New Deal’. You can order a copy of the book for free from www.global-gnd.com. You can also hear from activists from around the world in Dalia’s co-hosted podcast, Planet B: Everything Must Change, which explores the key pillars of a globally just green new deal. You can find Planet B wherever you get your podcasts. Supported by the Rosa Luxemburg Stiftung with funds of the Federal Ministry for Economic Cooperation and Development of the Federal Republic of Germany / the German Federal Foreign Office.

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Dalia Gebrial is a PhD researcher at the London School of Economics. She is also an associate researcher at Autonomy UK, and co-author of Empire’s Endgame: Racism and the British State.

This piece was commissioned as part of the Contextualising Climate Crisis series.

On Wednesday 7th July, the Stuart Hall Foundation an online roundtable as part of their #ReconstructionWork series to think through the possibilities of decolonising the museum. The event included short presentations from the panel of guest speakers followed by a chaired discussion:

• Mohammed Ali, Artist/Curator, Founder of Soul City Arts and Trustee of Birmingham Museums

• Sado Jirde, Director, Black South West Network

• Suhaiymah Manzoor-Khan, Writer and Poet

• Ahdaf Soueif, Writer

• Intro: Bridget Byrne, Director, the Centre on the Dynamics of Ethnicity (CoDE)

• Chair: Orsod Malik, Digital Content Curator, Stuart Hall Foundation

What can the concept of decolonisation look like in practice and in relation to the museum? We welcomed Ahdaf Soueif, Mohammed Ali and Suhaiymah Manzoor-Khan to share their experiences working within and without the museum to examine whether or not the museum can be a space for realising disruptive and radical possibilities. The panel explored what and who the museum is for, the relationship between the museum and the construction of racial hierarchies as well as the museum’s entanglements with the history and legacies of colonisation.

In partnership with the Centre on the Dynamics of Ethnicity (CoDE) with support from Arts Council England.