For the 8th Annual Stuart Hall Public Conversation, the Stuart Hall Foundation welcomed political theorist, writer, activist, independent curator and political educator, Prof. Françoise Vergès as the keynote speaker. Taking place on Saturday 17th May at Conway Hall in London and online via livestream broadcast, the event inaugurated our 2025 programme, In Search of Common Ground.

Vergès’ keynote, titled ‘There Will Be No Future Without Seizing the Present’, considered how we might think across difference to construct a life-affirming politics in times of poly-crisis. The writer and activist posited that building common ground is building transnational solidarity, and urged against despair: “Let us think defeat as a chapter in the long fight for liberation and freedom.”

The keynote was preceded by a video excerpt from Stuart Hall’s Race, The Floating Signifier (1997) and an introductory address from SHF Executive Director Orsod Malik. After the keynote, Vergès was joined by Mohammed Elnaiem, Director of the Decolonial Centre, for a discussion and audience Q&A which further considered how we might understand Hall’s thinking on “a politics without guarantees”.

The event also featured the premiere screening of ‘The Audacity of Our Skin’. Featuring poet and essayist Selina Nwulu reading her newly revisited version of the titular work to camera, the filmed performance was shot and edited by videographer Alice Kanako and commissioned by the Stuart Hall Foundation supported by Comic Relief.

Following the event, attendees were invited to congregate at an informal reception, where they discussed ideas with programme contributors and with each other. Plant-based South Asian food catered by Goodness Gracious Feast and drinks from the bar were made available, while Newham Bookshop held a stall with titles related to the programme on offer.

Skin Deep hosted a pop-up library at the back of the hall, continuing their efforts to make space for creative thinking in service of and beyond racial justice. The library of liberatory texts offered attendees the opportunity to relax and flip through back prints of the Skin Deep magazine, pick up their latest issue and delve into their sources of inspiration.

Read a transcript of the event recording.

View photography from the event.

Supported by Comic Relief, the Hollick Family Foundation and the Paul Hamlyn Foundation, in collaboration with Conway Hall, Words of Colour and Pluto Press.

“We are living through a period of profound political instability, in which old paradigms are crumbling, and new ones struggling to be born. At this moment of both possibility and danger, what does ‘resistance’ look like to those seeking it on the ground, and what exactly are the forces ranged against them?”  – Jack Shenker.

The 3^rd Stuart Hall Public Conversation pursued the theme of Resistance through multiple lenses, providing a chance for questions and discussion, and punctuated with interventions and perspectives from a new generation of artists, scholars and cultural activists.

The event was introduced by the Stuart Hall Foundation’s new Executive Director Ruth Borthwick, who welcomed multidisciplinary artist and designer Bahia Shehab to deliver the opening presentation.

Journalist and author Jack Shenker took to the stage for a keynote speech. Drawing on his deep reporting on grassroots movements in different parts of the world over recent years, Jack told the story of two young people several thousand miles apart – one in Manchester, England, another in Cairo, Egypt – to explore how the children of the financial crisis are fighting to widen their political imaginations, and often paying a heavy price in return.

5th Annual Stuart Hall Public Conversation – ‘Manufacturing Dissent: Moments of Solidarity’ took place on 3rd February 2022, with speakers Raymond Antrobus, David Austin, Liz Fekete, Catherine Hall, Sado Jirde, Farzana Khan, Pragna Patel, Fatima Rajina, Gilane Tawadros and Joshua Virasami. Chaired by Gary Younge.

A year on from the global political protests for racial equality, and through a period marked by growing inequality, intolerance and authoritarianism in Britain and across the globe, we invited speakers to respond to these questions: Is there a discourse capable of speaking to a wide range of people from different backgrounds? What social, cultural, political, and economic differences can coalitions transcend? How can difference be expressed within a collective whilst maintaining cohesion? How can we move from forming coalitions/alliances towards a more unified and transformative politics fit for our times?

Our Public Conversation event has been our yearly moment to pause and reflect, inviting an audience to engage with the work of artists and thinkers on a chosen theme that responds to recent political, cultural and social changes. Previous years have pursued themes through multiple lenses, providing a chance for questions and discussion, and punctuated with interventions by poets, artists and musicians that open up a different space for thinking.

“How can we organise these huge, randomly varied, and diverse things we call human subjects into positions where they can recognise one another for long enough to act together, and thus to take up a position that one of these days might live out and act through as an identity? Identity is at the end, not the beginning, of the paradigm. Identity is what is at stake in political organisation. It isn’t that subjects are there and we just can’t get to them. It is that they don’t know yet that they are subjects of a possible discourse. And that always in every political struggle, since every political struggle is always open, is possible either to win their identification or lose it.” – Stuart Hall, ‘Subjects in History: Making Diasporic Identities’ (1998) from ‘Selected Writings on Race and Difference’ published by Duke University Press, 2021.

Supported by Arts Council England.