On Friday 23^rd May, 2025 University of Sussex Stuart Hall Fellow Bleue Liverpool presented new work at the Brighton Festival as part of her Fellowship. Bleue collaborated with musician and sound artist Ibukun Sunday to create ‘an unclassified syncretism’, an audio-visual intervention within the Meeting House Chapel at the University of Sussex. Through this event, the duo sought to composite metaphysical abstractions of Paul Gilroy with research into migration narratives and landscapes of south-east English Channel coastline port culture. The event was part of the Festival of Ideas, a collaboration between the Faculty of Media, Arts and Humanities at the University of Sussex and Brighton Festival.

Bleue Liverpool shares reflections on her experience of the collaboration below, alongside production photographs of the audio-visual work plus a new text building upon the themes of project.

– So what do we know ?
– You mean, what are we willing to tell ?

Well, we know that the practice of syncretism in the 18^th century Afro-Caribbean, enabled the subjugated to insurgently gather, speak, & remember – right under the gaze of the colonial eye. We’re aware that our ancestors, ambitious as they were, on the night of the 14^th of August 1791, came together in ritual that embedded West African Vodou resistance – a legacy of the Fon Kingdom – into appropriated Christian systems and iconography. Allegedly the appropriation of the Catholic Church’s appliances deeply disturbed colonial administrators, whom were utilizing the system to “civilize”, “assimilate”, “commodify” our ancestors’ dignity. Subsequently, this ritual and a carefully calculated eclipse brought on a rebellion – sugar everywhere – a rupture, in the politics, that made a case of Identity.

– But Ibukun, you’re from that port Lagos, in Nigeria… South North Atlantic?
– Yes
– Me too, from a port, in the North North Atlantic…
– Yes
– A Pan-African conversation when we gather, no? when we commune?
– Yep… it’s old & ongoing
– What is?
– The conversation

The ports of Calais, Dover, Newhaven Port and Dieppe have had a great deal of increased activity in the 21^st century. They are coming, the Others, moving from east to west, using container lorries in any attempt to flee civil rights atrocities, seeking employment, a better life than history. The border-industrial complex is having a field day, acquiring oxygen detectors, attempting to catch whomever before land. Asylum claims are easily accumulated, strategically neglected, and ultimately unclassified – leaving the politics to place the Others in Hotels. They stay in these hotels sometimes for years, a room for a family, unable to seek employment, without access to fundamental natural law actions e.g. cooking for oneself. These hotels, conduits, elongated liminal spaces forge new identities, the nature oscillates in spite of fixity.

– a form of syncretism?
– Yep

In a cafe around Waterloo, down a spiral staircase to a basement that could easily recreate London’s Great Fire of 1666, he comes to my table slowly but densely. “The word “race” was utilized in the same way that in our contemporary the word “culture” is used. That the project of cultural studies is a more or less attractive candidate for institutionalization. The national character ascribed to the concept of modes of production is a fundamental question, ethnohistorical specificity of dominant approaches of cultural politics. That what was initially felt to be a curse – the curse of homelessness or the curse of enforced exile gets repossessed. It becomes affirmed and is reconstructed as the basis of a privileged standpoint.”^[1] I ask him if slavery was integral to the economic fruition of western civilization, how is the western world economically dependent on asylum seekers despite nationalism?

– Our inflections transfigure West to East, North to South.
– Yea… Of course.
– We need to find axis points.
– hmm
– Where do we gather to speak?
– They have Churches.
– Yes Ibukun, they have Churches.

As an Intermedia artist, collaboration has become an integral improvisational utility in circumventing a collective memory. By facilitating Pan-African conversations that take on unorthodox and unconventional mediums – such as sound and video artistic experimentation – new sonic-visual methodology is spontaneously generated that perhaps gives insight on not only acts of resistance but on cultural preservation. What was most appreciated on my side was that the Stuart Hall Foundation gave Ibukun and I the opportunity to come together finally for what will be a ongoing collaboration. In addition, the opportunity to wander, with naïveté, around the coast of South-East Sussex with nothing more than a handi-cam, generously provided by the media department of the University of Sussex, was pivotal. The camera gave me permission to wander, and that in itself from the position of my specific identity: revolutionary.

– Bleue Liverpool, November 2025

View a video excerpt of ‘an unclassified syncretism’ below.

In October 2023, we were pleased to host an event to welcome new members joining the Scholars, Fellows and Artists Network. The event was an opportunity to develop connections between new scholars and with the Stuart Hall Foundation, allowing them to meet and share ideas in-person. Attendees were invited to introduce their research, explore Stuart Hall’s thoughts on what it means to be a public intellectual, and learn more about the Foundation’s programme of events, workshops and opportunities available to them.

Following a group discussion responding to clips from Hall’s lecture ‘Through the Prism of an Intellectual Life’, participants were invited to visit the Courtauld Gallery’s major exhibition of artist Claudette Johnson’s work, Presence. Claudette Johnson later joined participants in a collective conversation around her career and the nuanced processes and decision-making in her approach to visual art.

In September 2024, we were pleased to meet new members joining the SHF Scholars, Fellows and Artists Network in person at a welcome event. We hosted this event, chaired by the Chair of the SHF Academic Committee, Professor Nasar Meer, with the aim to develop connections between the Foundation and the new members of its network, giving attendees the opportunity make each others’ acquaintance and share ideas directly. Attendees were invited to introduce their research, consider Stuart Hall’s thoughts on being a public intellectual, and learn about the Foundation’s programme of events, workshops, opportunities and support available to them.

Following a breakout session responding to clips from Hall’s lecture ‘Through the Prism of an Intellectual Life’, participants were joined by historian and writer Professor Robin D. G. Kelley for an informal group discussion, introduced by Professor Catherine Hall. Later, writer and researcher Lola Olufemi delivered a talk followed by a conversation with photographer, media artist and scholar Professor Roshini Kempadoo and the group, exploring Lola’s experience as a scholar and a member of the SHF Network.

Thank you to the SHF Trustees and Associates whose contributions made this event possible: Giorgia Doná, Catherine Hall, Roshini Kempadoo, Nasar Meer, Shamim Miah and Ruth Ramsden-Karelse.

On Friday 17th October 2025, we invited new scholars, fellows and artists joining the SHF Peer Network to gather at Whitechapel Gallery, London, for our 2025 Welcome Event. This was an opportunity to develop connections between the new members and the Foundation, providing a space to meet and exchange ideas in person. Attendees were invited to introduce their research, area of study or practice, consider Stuart Hall’s thoughts on what it means to be a public intellectual, and learn more about the Foundation’s programme of events, workshops and opportunities available to them through the Peer Network.

Following the screening of clips from Hall’s lecture ‘Through the Prism of an Intellectual Life’, introduced by SHF Trustee Nick Beech, attendees participated in breakout and group conversations on what “an intellectual life” means to them and how it relates to their own pursuits.

The new Peer Network members were also invited to visit the Whitechapel Gallery’s retrospective on visual artist Joy Gregory, Catching Flies with Honey, which SHF Associate Roshini Kempadoo led a group discussion around afterwards. Later in the day, Joy Gregory met with attendees to share insights on her practice too.

In the afternoon, SHF Associate and Peer Network member Ruth Ramsden-Karelse hosted an introductory session to the SHF Forum, a regular online forum where the network collectively engages with wider social, cultural and political issues. A space for Peers to think with one another beyond their disciplines and institutional settings, this ad hoc in-person session invited discussions on what our political investments and aims are, in relation to the work that we do.

Thank you to the SHF Trustees and Associates whose contributions made this event possible: Nick Beech, Giorgia Doná, Roshini Kempadoo, Michael Rustin and Ruth Ramsden-Karelse.

The Stuart Hall Foundation Peer Network programme brings together SHF’s community of scholars, fellows, and artists to support their intellectual, creative and professional development. Through monthly forums, skills-based workshops, residencies, and peer-led exchanges, the programme provides a supportive space for underrepresented practitioners to share ideas, receive pastoral support and collaborate across disciplines. Grounded in Stuart Hall’s commitment to dialogue, interdisciplinarity and public engagement, the programme creates a space for participants to share ideas, while fostering a generous and connected community of intellectual and creative practitioners who are challenging inequality through their work.

The SHF Peer Network is comprised of successful applicants to the Foundation’s scholarship and fellowship opportunities in partnership with academic institutions, and artistic residencies in partnership with cultural organisations. These scholarship and fellowship opportunities are developed by the SHF’s Academic Committee, a group of Trustees and Associates who assess applications during the selection process and support delivery of the Peer Network programme. The Academic Committee includes Nasar Meer, Becky Hall, Catherine Hall, Michael Rustin, Nick Beech, Derron Wallace, Giorgia Doná, Kennetta Hammond Perry, Roshini Kempadoo, Ruth Ramsden-Karelse, Remi Joseph-Salisbury and Shamim Miah.